
Sound, Text & Visual Performances
Bridget
Ferrill’s music plays between composition and noise,
exploring augmented instruments, handmade electronics, and
experimental computer music. Her album with Áslaug Magnúsdóttir,
Woodwind Quintet, was released in 2022, on Subtext Recordings. Her
latest solo album is Only, released on ENXPL, a collaborative
cassette series from Psychic Liberation and Enmossed.
Ferrill’s music plays between composition and noise,
exploring augmented instruments, handmade electronics, and
experimental computer music. Her album with Áslaug Magnúsdóttir,
Woodwind Quintet, was released in 2022, on Subtext Recordings. Her
latest solo album is Only, released on ENXPL, a collaborative
cassette series from Psychic Liberation and Enmossed.
Bilwa is a conceptual artist who works with sound. His work includes: performance, experimental / electro-acoustic music, noise, sound art, un/natural field recordings, graphic scores and conceptual structures. In his concerts, or “sound saunas”, he incorporates psychoacoustics and auditory illusions including: phasing, beating, cancellation, etc., using a range of sine tones. For this event Bilwa will perform sound sauna 13.06, a time-based score based on the date. In Berlin he organizes experimental music / performance series including: NOTES/TONES, BRŒK, tea/tōn, etc.
Kinga Tóth writer, visual and sound-poet, performer, teacher, translator writes in Hungarian, German and English languages and presents her work in performances, exhibitions, and international installations, festivals. She is also a philologist and a teacher, gives lectures and workshops internationally and also works as a journalist and copy editor of art magazines and as a cultural program organizer.
Toth’s international publications include poetry collections, visual-art catalogs, novels, music records; she joined several artist-writer residencies (IWP, LCB, GEDOK, Bosch, Solitude etc.) and is member of several art organisations. 2018/2019 she was the City Writer in Graz and 2019/2020 a writer-artist in residence by Landis&Gyr Stiftung in Zug (Switzerland). In 2020 Kinga Toth received the Hugo Ball Förderpreis for her intermedia- literary work in German language and also the Bernard Heidsieck Prix (by Centre Pompidou and Foundation Bonotto) for her performative literary work.
Daniel Bryden is an experimental musician and video artist based in Berlin, working under the moniker Days Like Television. Drawing on dissociated sound sources and fragmented textures, their work delicately balances visceral intensity with a melodic, nostalgic beauty. The result is a practice that is affecting yet resists resolution - drawing the listener into a sonic encounter shaped by absence, erosion, and the aesthetics of disappearance. He has presented live AV performances across Europe at venues such as ICA (London), Nalen (Stockholn), La Vallée (Brussels) and ACUD MACHT NEU (Berlin), and VEKKS (Vienna). His debut album- ‘This Will Have Been the Past’ was released June 2024.
Additional information
Dates
June 2025
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