The maestros jerezanos Rubin de la Ana, Fernando Galán and Lorena Caballero delight with magic and El duende: El duende, mysterious spirit and demon of flamenco.

Fernando Galán's and Lorena Caballero's magical dance, paired with Rubin de la Anas' artfully rhythmic guitar playing and the unmistakable timbre of his singing voice, touches the soul; allows flamenco to be experienced physically.

All three artists are among those rare musicians and dancers who can represent the specific artistic character of flamenco in its entirety and complexity.

Flamenco puro is part of the proyecto La tierra mía, sus voces y ecos _ a homage to the pure singing forms of early flamenco art, which gave rise to a multitude of variations and styles in flamenco (palos) and continue to shape it to this day. It is a commitment to their Andalusian roots, to pay homage to the heritage that made today's high level of virtuosity in singing (cante), guitar playing (toque) and dancing (baile) possible.

Like the guitar and passionate singing, the cajón has been part of flamenco since the 1970s. The fusion with the timbres of the cajón wonderfully expands the sound world of traditional flamenco. It seems to be made for Tom Auffarth, de la Anas' percussionist. Under his hands, the instrument sounds like a snare or bass drum.

With Flamenco puro, the de la Ana Quartet portrays an impressive picture of the centuries-old tradition of flamenco art: ¡Flamenco puro arte!

City of music

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