Immersives Raumklang-Konzert mit elektronisch erweitertem Orchester, Obertongesang, Orgel und Plattenspielern
The orchestral concert as the silent center of a turbulent world: In Daphne Oram's visionary work “Still Point” from 1948, which was lost until 2016, the sound of an orchestra is processed electronically live for the first time.
Image gallery
Vocalconsort Berlin
It is based on the then 23-year-old's experiences as a radio technician under the glass dome of London's Royal Albert Hall during the bombing raids of the Second World War. It is thanks to the young British-Persian composer and DJ Shiva Feshareki that Oram's work was premiered.
On this evening, the Konzerthausorchester conducted by Ilan Volkov overrides our sense of space and time. Together with composer and DJ Shiva Feshareki and the Vocalconsort Berlin, the musicians overcome the acoustic limits of their instruments and illuminate the Great Hall of the Konzerthaus with new sounds. With overtone singing, organ improvisation, double orchestra, treated instrumental recordings and live electronics.
Shiva Feshareki - “Aetherworld: Josquin, Mirrored.” (2021) for live turntable manipulation, immersive electronics, organ and choirJosquin Desprez - “Qui habitat in adiutorio altissimi” - motet for 24-part choirDaphne Oram - “Still Point” (1948/49) for double orchestra, treated instrumental recordings, five microphones, echo and tone controls
Participating artists
Konzerthausorchester Berlin
Vocalconsort Berlin
Sebastian Heindl (Orgel)
Titus Engel (Dirigent)
Ralf Sochaczewsky (Choreinstudierung)
Shiva Feshareki (Plattenspieler / Live Raumklang-Elektronik)
David Sheppard (Sound Design)
Alexey Kokhanov (Workshop Obertongesang)
Anna-Maria Hefele (Workshop Obertongesang)
Dates
November 2024
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