INTERLUDE - Should I stay or should I go?

Romantic or explicitly unromantic, Mel's inner dichotomy is revealed in the face of intimacy. After all, if you were alone, without friends, family and lovers, you wouldn't have to leave anyone. It's not about right or wrong. It's about the versions of life that Mel jumps back and forth between. A life that you don't live is full of possibilities and secrets, moments that you won't experience. You know they exist, these moments. Pale, like the fading lines of a stamp that become thinner with every wash of the hands. We follow Mel on a ride between trains of thought and self-talk. She is surrounded by memories, hopes, wishes and fears - an expression of her desires. Mel's inner voice takes the form of fathers, a train servant or cities, among others. Voices that tug at her, voices that disagree, voices that search for peace. One way, like the other, is an approach with the purpose of finding access to oneself.

Despair is okay.

Mistakes are okay.

Decisions are okay.

The play by the young ensemble led by Lea Reinhardt performed very successfully in July and is now being performed again due to high demand.