PCCC* the Politically Correct Comedy Club - Anshita Koul • Claire Lefèvre • Denice Bourbon • Der Kuseng • wurstaufschnitt • Zuzana Cuker

PCCC* is a Queer Comedy Night for a Queer Audience and their Fans & Friends.

On their regular and always sold out evenings in Vienna you’ll meet dancers, writers, rappers, workers, bookshop employees, life embracers, wine drinkers – all having one thing in common: a funny story to tell.

Denice Bourbon is a lesbian/queer feminist performance artist, singer, author, presenter, curator, and stand-up comedian. She uses humour and entertainment as an activist tool to draw attention to political issues. In 2017 she co-founded the queer comedy club PCCC*, which she has been running alone since 2020 as a presenter, office genius and comedy mother. Denice is very loud, prudish and pretty decadent.

Claire Lefèvre is a femme choreographer, insomniac writer, and reality TV enthusiast currently based in Vienna, Austria. Her work with text spans from poetry to grant applications, at times flirting with performance criticism, stand-up comedy or queer feminist theory. Occasionally she works as a ghostwriter, but mostly because of the spectral appeal of the job title. Her last stage work LOIE (is a fire that cannot be extinguished) dealt with somatic archives, lesbian drama, and systematic erasure within dance history.


The satirist wurstaufschnitt started uploading videos on social media three years ago. His real name is Lionel, and in his videos, he addresses topics such as queerness, everyday racism, and societal issues. Since 2022, he has also been performing as a cabaret artist, sharing stories from his life as a queer person with a migration background. His current solo program, Dear Diary, I’m Going to Be a Popstar, is being performed at the Kullisse in Vienna.


Make way for Der Kuseng! He loves the stage as much as billionaires love tax loopholes. Whether as a rapper, comedian, or host, he approaches each role with full dedication. With humour and sharp observations, he meticulously dissects societal developments that shape and trouble us. With a healthy dose of self-irony and in constantly changing roles, he explores with the audience: Who are we Austrians, really, and how did we become the way we are?