
TALKING DRUMS: NIGERIA lautten compagney BERLIN feat. Aralola Olamuyiwa & Band
The lautten compagney BERLIN explores the possibilities of music beyond the colonial canon with their project TALKING DRUMS: NIGERIA. The project critically examines the unchallenged perpetuation of broad labels like “African music.” The methods of so-called “early music” from Europe reveal parallels to West African performance practices, as exemplified by techniques such as ostinato/riff, call and response, and hoketus/interlocking. These shared origins and differences will be explored in a one-week workshop and two concerts on May 2 and 3, 2025, at the Humboldt Forum.
At the heart of the project are two musical traditions: the music of the Yoruba people in Nigeria, with its highly developed percussion culture, and the compositions of Charles Ignatius Sancho, who in the late 18th century became the first Black composer to perform in London and exercise the right to vote in Britain.
Among the musicians who keep the rich heritage of the TALKING DRUMS alive is Aralola Olamuyiwa, also known as Ara, celebrated as the “Queen of the Talking Drums.” Recognized as the first Nigerian woman to gain worldwide recognition in the male-dominated world of percussion, she also serves as a cultural ambassador for the Ooni of Ife and the Yoruba culture. Ara is not only a drummer but also a singer and entertainer. She will be joined in Berlin by a three-member percussion ensemble featuring the Bata, Omele, and Dundun drums.
The so-called “talking drums” of West African cultures were traditionally tools of daily communication, often functioning as message drums capable of mimicking the pitch patterns of tonal languages. Today, the drums are more ritually integrated, holding significant religious and ceremonial roles.
The contemporary interpretation and queer reading of Yoruba mythology play a major role in the literary work of Logan February. Born in 1999 in Anambra, Nigeria, this poet and essayist will reflect on songs and stories from the talking drum tradition, exploring their linguistic character through their texts and reflections.
Participants
- Ara – Lola Olamuyiwa
- Sesan
- Gbade
- Muta oni bata Ara
- Logan February
- Lautten Compagney Berlin
Sesan is a professional drummer who plays traditional drums such as (Àpàlà) the talking drum, Omele drum, Sákárà and the Îyà Ìlù. He has been a member of the Ara Entertainment Productions for over 20 years.
Gbade is a professional drummer who plays drums such as Jembe, Conga, Àpàlà (talking drum), Omele drum and Shekere. He has been a member of the Ara Entertainment Productions for over twenty years.
Muta oni bata Ara, as he is fondly called, is a professional bàtá and Ìya bàtá drum player. He has performed alongside other notable stars like Lagbaja and has been a member of Ara Entertainment Productions for ten years.
Logan February, born in 1999 in Anambra, Nigeria, is a non-binary poet, essayist, singer, songwriter, and LGBTQ activist. In addition to publications in literary journals, Logan has released three poetry collections—How to Cook a Ghost (2017), Painted Blue with Saltwater (2018), Garlands (2019)—and the poetry book In the Nude (2019), which have been partially translated into Spanish, Italian, and Dutch. In 2020, Logan February was awarded the Future Awards Africa Prize for Literature. In the spring of 2024, the anthology Mental Voodo was published in German, English, and Yoruba by Engler Verlag. In 2024, Logan February has been a fellow in the DAAD Berlin Artists Program and has performed in Berlin at the Afrolution Festival, the African Book Festival, the ILB, the Poetry Festival, and at the Literarisches Colloquium. 2025 he is poet in residence in the Humboldt Forum, fundet by the Programm “Weltoffenes Berlin”.
Logan February is funded by the ‘Weltoffenes Berlin’ programme of the Senate Department for Culture and Social Cohesion.
- 16 € / reduced 8 €
- 18.00 Introduction
- Duration: 90 min
- No language skills required
- Hall 2, ground floor
- Belongs to: Musical Belongings
Additional information
Accessibility
The Humboldt Forum and all exhibition rooms can be reached barrier-free with a wheelchair. A tactile floor guidance system facilitates orientation for blind and visually impaired visitors. Educational formats are tailored to the different needs of visitors with disabilities. These include tactile tours, guided tours and workshops.
Barrier-free parking is available south of the Humboldt Forum on Schlossplatz. Barrier-free parking is available south of the Humboldt Forum on Schlossplatz. For more information, click here.
By underground and suburban railway
U Museumsinsel (U5): 1 min walk
S/U Alexanderplatz: 15 min walk
S Hackescher Markt: 10 min walk
By bus
Lustgarten: 100, 300, N5; 1 min walk
Berlin Palace: 147; 1 min walk
BVG Fahrinfo
Bus bays are available in Rathausstraße: Stopping time from 9 - 22.30
Barrier-free parking is available south of the Humboldt Forum on Schlossplatz. Barrier-free parking is available south of the Humboldt Forum on Schlossplatz. For more information, click here.
By underground and suburban railway
U Museumsinsel (U5): 1 min walk
S/U Alexanderplatz: 15 min walk
S Hackescher Markt: 10 min walk
By bus
Lustgarten: 100, 300, N5; 1 min walk
Berlin Palace: 147; 1 min walk
BVG Fahrinfo
Bus bays are available in Rathausstraße: Stopping time from 9 - 22.30
Dates
May 2025
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